What fun to revisit the photos of doors I have been drawn through but also drawn to as a photographer. I like doors.
I took this photograph when visiting Dublin in December, 2007 while taking university students on a cross cultural study trip. I was drawn in by the unique colors and intrigued by the sign that read, “The Sick and Indigent Roomkeepers Society.”
So many of my photographs bring back vivid memories – like this one from 2012. We were driving around the Gaspe Peninsula, Quebec Provence, Canada with our camping trailer in tow. It was lunch time and as we have done so often, we pulled into the parking lot of a church to fix us a bite to eat. Workers had just finished polishing these front doors to return them to their bright copper. I took the photo with a small Olympus digital.
I spent a few days in Buenos Aries and took many, many photos of doors in the neighborhood of our small hotel. However they didn’t turn out well because I was too close and the lens distortion was too great to correct in post-processing. I do enjoy looking at this door, however, and thinking about the life stories that were enacted here.
This is one of my favorite compositions from all subjects of my photographs. The door at the front is open to the sanctuary of a church. There seems to be some sort of existential meaning trying to speak to me but my brain can’t quite hear it.
These last two were taken at different places in the Maritime Provinces of Canada, near the Bay of Fundy. They tickle my funny bone and make me smile every time I look at them. Side-by-side, the difference in scale adds a little surrealness to them that makes me feel a little off kilter.
My travel doors are in response to Sylvia’s topic of Doors/Doorways. She is hosting the Lens-Artist Challenge this week.
I started a new quilt top as soon as I returned to Michigan and have a third of it sewn together so I decided to take a break to respond to this week’s Lens-Artist Challenge: The Rule of Thirds. About a third of the distance home we stopped to spend a week-end with our daughter in Winston-Salem where she moved last December to start a new job at Salem Academy and College. We went for a walk-about of the campus and both of us were instantly smitten. They were celebrating their 250th anniversary with homecoming and graduation ceremonies. Old Salem is a living museum and Salem Academy and College is a part of this museum.
Salem Academy and College, in Winston-Salem, North Carolina, is a women’s college (Bachelor and Master degrees) and girl’s academy – the oldest private educational institution for women & girls in the United States. The Moravian Church settled the town of Salem beginning in 1771 and the town was built to facilitate the Moravian core value of a holistic form of wellness that included physical, mental and spiritual growth. They had established a single brothers school in 1771 and wanted to provide the same for girls. In 1772 the town opened their school for single sisters and the girls lived in a cramped church residence until 1782 when the single sisters and older girls choir moved to their own residence. Although the Academy and College no longer are associated with the Moravian Church, the history of its early beginnings is evident in the buildings they use for girls’ and women’s educational activities.
The literature I’ve read uses the phrases single brothers, single sisters and choir frequently and I spent a lot of time wondering what it meant. Finally I learned that “choir” relates to the segregation used in the Moravian Church to separate males and females in worship and for learning when young people were still single. I look forward to learning more about the progressive educational system instituted by the Moravians in Old Salem.
According to the http://oldsalem.org web site, “Schools for girls were rare in the early South. In Salem, Single Sister Elisabeth Oesterlein began a small day school for girls in 1772. By 1788, families across the South were asking if their daughters could come to Salem to receive an education.
In 1805, a girl’s boarding school was constructed in Salem, and the first class had 30 girls from across the South. Girls took classes in reading, writing, syntax, history, geography, music, drawing and needlework. In the late 1880s, the school was approved to offer a college education as well as the traditional preparatory program” provided by the Academy.
I was intrigued by this short shaded path – my daughter says she travels it often instead of going a few feet to the right or left to use the wider brick walks that would take her to her destinations. I wanted to capture the spirit of this path that causes a person to choose to go down it when it doesn’t directly lead to where they want to be. I took several photos and worked with each one but this one captures its essence best. I cropped so that the path, fountain and door fall on the right third vertical witness line and eliminated the building wall that is on the right. This made the trees more prominent and emphasized the shady walk. On the left I cropped to include some of the tree as a balance for the composition, along with the azalea. This puts the path off-center to symbolize its off-the-beaten-path nature. Horizontally I cropped so the canopy uses a bit more than the top third; the fountain, the tree on the left, and darkly shaded path the middle third; and the rest a skimpy bottom third. This was a breaking of the rule of thirds to emphasize the power of shade and light.
You have probably caught on that I didn’t get last week’s Lens-Artist Challenge “Rule of Thirds” finished before this week’s challenge of “Light and Shadow” was published. If I wait a couple more days I could integrate a third challenge into this post. Is including a third challenge too “shadowy” to fit into the “rule of thirds?”
I love color, I love playing with colors when I create quilts and when I edit my photographs. I had great fun when I was arranging these bouquets of flowers for your pleasure. But I get ahead of myself, here, because what attracts my eye and draws me in with my camera is the play of light and shadow that creates the beauty of colors. The colors in each one of these flowers makes my heart and soul smile – big!
The Naples Botanical Garden has wonderful collections of orchids and water lilies so I have tended to use them the most for my winter posts. Today, for this Lens-Artist Challenge, I decided to show you some of the other colors of the the garden. I have been going two or three times a week and every time I walk around I am surprised by new small splashes of color or changes in the reproductive cycles of those plants that I have been photographing for a few weeks and result in new colors of buds, blossoms or fruits/seed pods (I’m saving those for future posts). I have provided captions for those that I can name – if you know other names I would be very appreciative for your knowledge in the comments section.
I found this last plant in the Idea Garden, where ideas are given for growing flowers and vegetables in the southern Florida tropical climate. Does color have a sense of humor? Can you identify the five colors? The chef at the restaurant in the garden really likes hot peppers for seasoning.
To find out how others are interpreting this photography challenge of “color expressions” you can click on the link.